【与党同心与国同行】中国书画领航巅峰人物——王凤岐

国际教育信息网 2021-01-21

王凤岐,1952年生人,国家一级书法家。中国书画家联谊会新文艺群体书画家工作委员会理事、委员,北京中宣盛世国际书画院会员,北京宣和书画艺术研究院副院长,北京华夏邦交国礼书画院副院长,浙江省东阳市凤落岐山书画苑院长,原供职黑龙江省虎林市委党校文史教研室主任、教授。王凤岐先生锐志持恒,在墨海激荡四十余载。

Wang Fengqi, born in 1952, is a national first-class calligrapher. He is a director and member of the New Literature and Art Group Calligraphers Working Committee of Chinese Calligraphers Association, a member of Beijing Zhongxuan Shengshi International Painting and Calligraphy Institute, the vice president of Beijing Xuanhe Painting and Calligraphy Research Institute, the vice president of Beijing Huaxia International Painting and Calligraphy Institute, and the dean of Fengluoqishan Painting and Calligraphy Garden in Dongyang City, Zhejiang Province. He used to serve as the director and professor of literature and history teaching and research section of the Party School of Hulin Municipal Committee, Heilongjiang Province. Mr. Wang Fengqi's perseverance has stirred up in Mohai for more than 40 years.

王凤岐作品

法度严谨自如洒脱——记新文艺术群体书法家王凤岐

Rigorous testimonies, free and easy —— A record of calligrapher Wang Fengqi of Xinwen Art Group

挥毫之间任流转,浓淡纵墨生雄风,草书作为极具艺术表现力的书体,其观赏性远大于实用性。如想掌握住草书,尤其是狂草的创作,书法家不仅需要有着坚实的书法基础,还需要其具备天赋。看王凤岐的草书,可见并非简单的胡乱行笔,狂草虽狂,但仍具备严谨的规范性,在法度之内作草书的洒脱,这是王凤岐草书的高明之处。

Flowing freely, thick and thin makes the ink flourish. As a highly artistic style, cursive script is far more ornamental than practical. If you want to master cursive writing, especially the creation of wild grass, calligraphers need not only a solid calligraphy foundation, but also a talent. Looking at Wang Fengqi's cursive script, we can see that it is not a simple scribble. Although the cursive script is crazy, it still has strict standardization, and the cursive script is free and easy within the testimonies, which is the genius of Wang Fengqi's cursive script.

王凤岐作品

其草书远师张旭怀素之精髓,气度狂卷,古墨轻磨,颇具古法与古韵,可以说是将颠张醉素的那种泼墨气节展现的淋漓尽致,如痴如狂是也!自如洒脱,锋纤往来,书法要妙,一目了然。狂草既已达境界,由此无论是立墙置纸,还是几面平铺,王凤岐必能将狂草展现出八面出锋的万般姿态,一点之内殊衄挫于毫芒,一划之间变起伏与锋梢,写得刚柔相济,处有笔墨天成的妙观。

Its cursive script is far from the quintessence of Zhang Xu and Huai Su, and its tolerance is crazy, and it is lightly polished by Gu Mo. It is quite ancient law and rhyme. It can be said that it will show the ink-splashing integrity of drunkenness to the fullest, even if it is crazy! Freely free and easy, the front fiber contacts, calligraphy should be wonderful, be clear at a glance. The wild grass has reached the state, so whether it is standing on the wall to place paper or laying flat on several sides, Wang Fengqi will be able to show the wild grass with all kinds of postures, and within a little, it will fall down on the milli-mans, and it will change from one stroke to another with ups and downs and front tips, writing with rigidity and softness, and having a wonderful view that pen and ink are natural.

王凤岐作品

在作品的笔墨上,他是将个人情感全然融入到了笔端,作品行笔极为迅疾,顿挫多有变化,笔锋时用中锋,塑造精巧劲道,时用侧锋,彰显潇洒,奔涌不尽,时而中锋侧锋因善使转而得调度,可令笔墨迸发出狂草的奔放骨力,视觉审美赏心悦目。笔笔线条畅达痛快,万般变化!粗细结合,高低有趣。厚重的笔线,犹如汉碑意象有气势,张弛恰当,纤细的笔线,则如春风杨柳之摇曳,约花分柳,清逸多姿,诸字所成,实乃于严谨之法呈现结构美感,于奔放之功展遒劲风骨!

In the pen and ink of his works, he has completely integrated his personal feelings into the pen. His writing is extremely rapid, and there are many changes in setbacks. When he writes, he uses a center to create exquisite strength, and sometimes he uses a side front to show his natural and unrestrained, which is inexhaustible. Sometimes, the center side front can be dispatched because of his good advice, which can make the pen and ink generate show the bold and unrestrained bone strength of wild grass, and the visual aesthetics is pleasing to the eye. Pen and pen lines are smooth, happy and changeable! The combination of thickness and height is interesting. Thick brush lines, like the image of Han tablet with momentum and proper relaxation, and slender brush lines, like the swaying of spring breeze and willows, are composed of various words, which show the structural aesthetic feeling in a rigorous way, and show great strength in unrestrained work!

王凤岐作品

品味良久,若不是纵观整体,观者根本想象不出其线条的走向,且通幅墨色的变化,不仅有浓重,亦有疾涩,由此所产生的墨韵,再配以线条的张狂,使得作品充满了节奏感,韵律感,姿态感。乍眼一看,隐约似乱,再细看之,却是有章可循,字字时断时续,实乃笔断而意不断,视觉效果十分强烈。娴熟的用笔,精到的结字,无不透露着晋人的书法意趣,潇洒写来,从容不迫,笔墨交替,胸有成竹,笔墨养性,草书畅志!

Taste for a long time, if you don't look at the whole, the viewer can't imagine the trend of its lines, and the change of ink color is not only thick, but also harsh. The resulting Mo Yun, coupled with the puffed up lines, makes the works full of rhythm, rhythm and posture. At first glance, it looks like a mess, but when you look closely, there are rules to follow, and every word is intermittent, but it's broken and meaning is constant, and the visual effect is very strong. Skillful use of pens and precise knot words all reveal the calligraphy interest of Jin people. They write smartly, take their time, alternate pen and ink, have answers, keep their pen and ink alive, and make cursive writing prosperous!

王凤岐作品

法度严谨,自如洒脱。狂草佳作只有得到纵放之性,才可以恣意挥毫,终可以泼墨于素纸之上写出精彩。王凤岐的草书,因法度而严谨,不会有草书不入格神仙不认得的粗糙,又有文人书法放手写心的轻快,所以很耐看,很养眼。作品不计一笔一划工拙,畅显遒健的整体气势,在挥毫起落间,彰显磅礴,写意大气,有整体之谋,也有细节之工,这正是他草书成功的要诀。

(《中国书画家报》执行总编徐丽媛点评)

Strict testimonies, free and easy. Only when the excellent works of wild grass are released vertically, can they wield freely, and finally, they can splash ink on plain paper to write wonderful works. Wang Fengqi's cursive script is rigorous because of its testimonies. There is no roughness that the cursive script doesn't fit into the grid and the gods don't recognize it. There is also the lightness of literati's calligraphy, so it is very eye-catching and attractive. His works, regardless of one stroke and one stroke, show vigorous overall momentum. During the ups and downs, they show grandeur, freehand brushwork, overall plan and detailed work, which is the key to his success in cursive script.

(Xu Liyuan, Executive Editor of China Painter's Newspaper)