【与党同心与国同行】中国书画领航巅峰人物——李永清

国际教育信息网 2021-01-15

李永清(1948-- )江苏响水人,现为淮安长江书院院长,中国老年书画研究会会员,中国书画家协会常务理事,中国楹联协会书法艺术研究会副秘书长,淮安市老年书画研究会副会长,世界华人华侨艺术家联合会会员,中国海峡两岸书画家协会会员,北京华夏兰亭书画院院士,艺联网特聘艺术家,一级书法师。

Li Yongqing (1948-), a native of Xiangshui, Jiangsu Province, is currently the Dean of Huai 'an Changjiang Academy, a member of China Old Painting and Calligraphy Research Association, an executive director of China Calligraphers Association, a deputy secretary-general of China Couplets Association Calligraphy Art Research Association, a vice president of Huai 'an Old Painting and Calligraphy Research Association, a member of the World Federation of Chinese and Overseas Chinese Artists, a member of China Cross-Strait Calligraphers Association, an academician of Beijing Huaxia Lanting Painting and Calligraphy Institute, a special artist of art networking, and a first-class calligrapher.

李永清作品

自幼酷爱书法,尤热衷于临习怀素《千字文》《自叙帖》、孙过庭《书谱》,笔耕不辍。近年来,积极参加全国书法大赛。2016年,陆续参加第八届海峡两岸书画艺术交流展、“革命先行者”纪念孙中山先生诞辰150周年全国中老年书画名家作品大展等数十次。

I loved calligraphy since I was a child, especially studying Huai Su's "Thousand Characters", "Self-Narrative Post" and Sun Guoting's "Shupu". In recent years, he has actively participated in the National Calligraphy Competition. In 2016, he successively participated in the Eighth Cross-Strait Painting and Calligraphy Art Exchange Exhibition and the National Exhibition of Famous Paintings and Calligraphy Works of Middle-aged and Old People in commemoration of the 150th anniversary of Dr. Sun Yat-sen's birth by "revolutionary pioneers" for dozens of times.

李永清作品

李永清先生工作之余长期坚持自学,广涉古代碑帖,精工细研,善于在实践中不断总结经验。九十年代末,开始着力于帖学的研究,以二王书风为根基,兼攻诸家,尤其在笔法技巧上苦心钻研,融会贯通,颓笔成冢,颇有所悟。与此同时,将古代书法形式与现代审美观念巧妙地结合,渐渐形成自己的独特风格。

After work, Mr. Li Yongqing insisted on self-study for a long time, extensively involved in ancient inscriptions, studied carefully, and was good at summing up experience in practice. At the end of 1990s, he began to focus on the study of Tiexue, taking the book style of Two Kings as the foundation, and attacking various families at the same time, especially painstakingly studying the brushwork skills. At the same time, the ancient calligraphy forms and modern aesthetic concepts are skillfully combined to gradually form their own unique style.

李永清作品

李永清先生的书法,别具一格,独树一帜,风骨并存,在中国当代书法的大环境下能有字外功夫,实属难得。他的书法体静而雅,下笔有力,更有运气,如天外来客,超凡脱俗,既有性情又不失法度,线条纯净流畅,意趣高妙阔达,字如其人。从运笔、用墨、布局、章法来看,其作品的布局严谨而不呆板,灵动而不杂乱,犹如水落石出,涤净浮尘,秀色自现,风骨独标,承传统于字里行间,出新意与法度之外。真正做到当代书法的审美艺术性、观赏性的统一,已具有书家之气度也。

Mr. Li Yongqing's calligraphy is unique and unique, and his character coexists. It is rare for him to make extra effort in the context of contemporary Chinese calligraphy. His calligraphy is quiet and elegant, with powerful writing and more luck. For example, whispers is extraordinary and refined, with temperament and without losing testimonies. His lines are pure and smooth, and his words are like his own. From the point of view of writing, using ink, layout and composition, the layout of his works is rigorous but not inflexible, clever but not messy, just like getting to the bottom of the water, cleaning up the floating dust, showing its own beauty, being unique in style, inheriting tradition between the lines and bringing out new ideas and laws. To truly achieve the unity of aesthetic artistry and appreciation of contemporary calligraphy has become a calligrapher.

书法评论:中国书法家协会顾问权希军

Calligraphy Review: Quan Xijun, Consultant of Chinese Calligraphers Association