翰墨国韵 大国崛起 重点推荐艺术名家——黄吴怀

黄吴怀

　　艺术简历：

　　黄吴怀,1939年出生,原籍广西来宾市武宣县,现定居北京。1964年于北京传媒大学本科毕业,退休前任中央台资深记者,主任编辑。现为中国书法家协会会员、中国艺术学会常务委员会终身常务委员、中华卫视艺术风采栏目艺术总监、中国书法艺术研究协会副主席、联合国美术家协会副主席、世界华人美术家协会副主席、东京中国书画院高级院士、中国书画名家研究会副会长、芝加哥美中文化艺术中心首届名誉顾问、中国民族文艺家协会艺术发展部终身副部长、世界华人艺术网艺术顾问、宋庄国际书画院终身名誉院长、新华人物网名誉主席。2011年8月，毛泽东的《沁园春•雪》书法作品壹幅被人民大会堂收藏。

　　2013年1月被聘为英国皇家艺术研究院荣誉院士、客座教授；

　　2019年7月被瑞典皇家艺术学院授予“世界瑰宝艺术家”荣誉称号;

　　2019年9月被中国收藏指南网聘为签约艺术家,

　　2019年9月被中国收藏指南网和中国收藏指南网艺术评估委员会评为中国当代最具收藏价值艺术家;

　　2019年9月被瑞典皇家艺术学院聘为终身外籍院士;

　　2019年9月被新丝路国际书画院聘为名誉院长。

　　2019年5月被北京童忆文化艺术馆授予“新中国十大先锋人物”;

　　2019年10月被国家艺术出版社授予“建国70载功勋艺术家”;

　　2019年10月被中国收藏家协会吸收为会员;

　　2019年10月被中国艺术家润格网、中华国礼出版社评为中华国礼艺术大师;

　　2019年11月被中国书画黄页网、中华国礼出版社授予“大匠之门六大艺坛宗匠”。

　　2020年9月国际艺术投资收藏网授予“全球最具投资价值与收藏潜力艺术家”荣誉称号。

　　2020年9月获得国礼艺术网授予的“传世艺术家”荣誉称号。2020年十一月中国艺术品展销中心授予“大国工匠 光荣称号”。

　　2020年12月经中国艺术家润格网鉴定评估市场价值为100000至180000元每平方尺。

　　一生把书法看作生命的流衍,在书法艺苑中,耕耘不缀。在继承传统书艺的同时,刻意追求个性、艺术性、欣赏性和时代感,把多种书体融于自己的作品中,进入了草、行、楷皆精的境界。近十多年来创作的作品多次在国家级博物馆参加全国性书画展。被人民日报、北京晚报、北京青年报、北京电视台、《中国收藏》、《中国近代现代书画名家经典》、中国艺术鉴藏杂志社出版的“中国书法大家”三人集,人民网、中国书画家联谊会主办的中国书画拍卖网、雅昌网、中国书画出版社主办的翰墨艺术网等几十种报纸、书刊、网络、传媒登载和介绍,受到国内外书法爱好者、收藏家的喜爱和收藏。中央台领导出国访问,用作礼品赠送各国政要,得到以色列总统魏茨曼的赞赏。

　　Art resume:

　　Huang Wuhuai, born in 1939, originated in Wuxuan County, Laibin City, Guangxi, and now lives in Beijing. Graduated from Beijing Communication University in 1964, retired as a senior reporter and director editor of CCTV. He is a member of the Chinese calligraphy Association, a member of the standing Committee of the Chinese Art Society, a member of the standing Committee of the Chinese Art Society, an art director of the Art style column of Chinese Satellite TV, a vice chairman of the Chinese calligraphy Art Research Association, a vice chairman of the United Nations artists Association, a vice chairman of the World Chinese artists Association, a senior academician of the Chinese calligraphy and painting Academy in Tokyo, vice president of the Chinese calligraphy and painting Association, and the first honorary consultant of the Chicago American-Chinese Culture and Art Center. Vice Minister of Art Development of China National Literary and Art Association, Art consultant of World Chinese Art Network, Honorary Dean of Songzhuang International calligraphy and painting Institute, Honorary Chairman of Xinhua character Network. In August 2011, one of Mao Zedong's calligraphy works "Qinyuan Spring Snow" was collected by the Great Hall of the people.

　　In January 2013, he was appointed Honorary Academician and visiting Professor of the Royal Academy of Arts.

　　In July 2019, he was awarded the honorary title of "World Treasure Artist" by the Royal Swedish Academy of Arts.

　　In September 2019, he was hired as a signed artist by the Chinese Collection Guide Network.

　　In September 2019, he was named the most valuable artist in contemporary China by the Art Evaluation Committee of China Collection Guide Network and China Collection Guide Network.

　　In September 2019, he was hired as a lifelong foreign academician by the Royal Swedish Academy of Arts.

　　In September 2019, he was appointed honorary president of the New Silk Road International Academy of calligraphy and painting.

　　In May 2019, he was awarded "the Ten avant-garde figures in New China" by the Tongyi Museum of Culture and Art in Beijing.

　　In October 2019, he was awarded "70 meritorious artists in the founding of the people's Republic of China" by the National Art Publishing House.

　　Admitted as a member by the Chinese Collector Association in October 2019

　　In October 2019, he was appraised as the master of Chinese ritual art by Chinese artist Runge net and China State Rite Publishing House.

　　In November 2019, it was awarded by Chinese calligraphy and painting yellow page net and Chinese state ritual publishing house to "the six great craftsmen of the great craftsman".

　　In September 2020, the International Art Investment Collection Network awarded the honorary title of "the most valuable and potential artist in the world".

　　In September 2020, he was awarded the honorary title of "Legend Artist" awarded by Guoli Art Network. In November 2020, the China Art Exhibition and Marketing Center awarded the "glorious title of a major craftsman."

　　In December 2020, the market value was evaluated by Chinese artist Runge net at 100000 to 180000 yuan per square foot.

　　In life, calligraphy is regarded as the flow of life, in the calligraphy art garden, ploughing is not embellished. While inheriting the traditional calligraphy art, we deliberately pursue personality, artistry, appreciation and sense of the times, integrate a variety of books into their own works, and enter the realm of grass, line and letters. In the past ten years, works created have participated in national calligraphy and painting exhibitions in national museums many times. A collection of Chinese calligraphy published by People's Daily, Beijing Evening News, Beijing Youth Daily, Beijing TV Station, "Chinese Collection", "Classical Chinese Modern calligraphy and painting" and "Chinese calligraphy everyone" published by Chinese Art Collection magazine Dozens of newspapers, books, periodicals, networks and media published and introduced by the people's Network, the Chinese calligraphy and painting auction Network, Yachang Network and the calligraphy Art Network sponsored by the Chinese calligraphy and painting Publishing House have been loved and collected by calligraphy enthusiasts and collectors at home and abroad. CCTV leaders visited abroad as gifts to political dignitaries of various countries and were praised by Israeli President Weizman.

　　Appreciation of works:

　　作品赏析：

　　中国书法讲究书写内容要与书家的气韵相合，凝结于笔端，流溢于笔下，使作品从字体到书写内容形成一个有机的整体。书家在创作时诉诸于情感，赋予诗词活灵活现的感官享受，犹如图画一般跃然纸上，正所谓“书到极时书似画，画到臻处画如书”；古人讲“书画同源”也是这个道理。即能看到书家贯彻古人的历史轨迹，也能审视出书家博大的胸怀。

　　细数历来书法大家，都以独特而又鲜明的书风、字法、个性建树书坛，从这点来讲，黄吴怀先生可谓当之无愧。

　　他把甲骨、大篆、汉碑、汉隶、行草等字体集中变形，融汇于一体；同时结合大草的笔法使得作品连绵不断。其笔触，毫不拘泥概念化的规范，而是随手生发，或中或侧、或方或圆、或藏或露、或敛或纵，触处成形；其结体，则善于随形布势，或铺张排比、或敛聚收放、甚至依倚穿插，应心隐手。在具象与抽象中，展现出中国书画同源的艺术精髓；在山形云影、风帆飘动中，诠释着中国文字博大精深的象形表现力。这样的结合使文字变得有金石铁声，飘逸洒脱，大气磅礴、自然合道，宛若天成。而这种独特的书写风格，则促成并终而奠定了他在书坛坚不可摧的独立地位。

　　Chinese calligraphy pays attention to the content of writing to be consistent with the calligrapher's spirit, condensed in the end of the pen, flowing in pen, so that the works form an organic whole from font to writing content. The calligrapher appeals to emotion in creation, endow poetry with vivid sensual enjoyment, just like a picture on the paper, is the so-called "book to the extreme book like painting, painting to the point of painting like a book"; The ancients said "painting and calligraphy homologous" is also this truth. That is to see the calligraphers carry out the ancient historical track, but also to examine the broad mind.

　　In the history of calligraphy, everyone has a unique and distinct style of writing, character, personality to build the world, from this point of view, Mr. Huang Wuhuai is well deserved.

　　He put oracle bones, big seal script, Han tablet, Hanli, line grass and other fonts concentrated deformation, integration into one; At the same time the combination of large grass brushwork makes the work continuous. His brush strokes, not rigidly conceptualized norms, but readily germinate, or in or side, or square or round, or hidden or dew, or convergence or vertical, touch shape; Its body, is good at following the shape of cloth, or extravagance, or collection, or even rely on interspersed, should be hidden hand. In the concrete and abstract, shows the art essence of Chinese painting and calligraphy homologous; In the mountain cloud shadow, sail fluttering, interpretation of the Chinese characters profound pictographic expressiveness. This combination makes the text become a stone and iron sound, elegant free and easy, majestic, natural and Tao, like Tiancheng. And this unique writing style contributed to and eventually laid his unbreakable independent position in the book world.

　　黄吴怀先生善于博采众长为我所用，更善于从中建立自己的书法品味和书写性格，他的书法作品体现出一种与众不同的气质，好似天然偶得，信手拈来，又像倚情而作，直抒胸臆，点画间，落笔坦荡，笔底遒劲有力，千回百转中，游荡出天真豪情。既有苏轼笔法的丰腴跌宕，又似黄庭坚纵横昂藏的挺拔，细观之，可见米芾俊迈豪放的沉 着痛快感，又或可见二王，张旭，怀素之风。字势险峻跌宕，有一种奇峰交错、万壑奔流的气势；通过干湿浓淡等方法使其交相辉映，虽为汉字，却有着丰富多变的画面层次感；在他的诸多作品中，往往点上奇妙的一笔，使书法作品绽放出画的灵韵，渗透着一股端庄之美和荡气回肠之魂，在沉雄博大的书法质感中透出温润、儒雅、灵动、生机盎然的光泽，具有一种流动的韵律美。正可谓是于古雅大度中见趣味，于浩然正气中显风骨，将刚柔并济拿捏得入木三分，把握得出神入化，那紧密结体所流动的韵味是最令人称奇，堪称熔古标新！

　　Huang Wuhuai is good at drawing on the best of others for my use, but also good at establishing his calligraphy taste and writing character, his calligraphy works reflect a different temperament, Like a natural occasional, free hand, but also like relying on feelings, straight to express their feelings, between the painting, pen magnanimous, powerful pen base, thousands of turns, wandering out of innocent pride. Both Su Shi's style of writing is rich and full, but also like Huang Tingjian's upright and upright. On a microscopic view, we can see Mi Fu's bold and unrestrained pain and pleasure, or see the wind of two kings, Zhang Xu and Huai Su. The word potential precipitous ups and downs, there is a kind of strange peaks staggered, the momentum of the river; Through dry and wet and heavy shade and other methods to make them reflect each other, although Chinese characters, but with a rich and varied picture hierarchy; In his many works, he often points a wonderful stroke, so that the calligraphy works bloom with the spirit of painting, permeated with a dignified beauty and soul-stirring soul, In the profound calligraphy texture reveals a gentle, elegant, clever, vibrant luster, with a flowing rhythmic beauty. Is in the quaint magnanimity see interest, in the Hao Ran Zhengqi show character, The rigidity and softness of the Ji Jin pinch to get into the wood, grasp the magic, that tight knot by the flowing charm is the most amazing, called melting ancient standard new!

　　鲁迅先生曾说过的汉字具有的“意美””“形美”，在用笔之妙的作用下，章法构成的作用下，会构成一种撞击人心灵的艺术张力，黄吴怀先生则善于用笔墨的厚薄、力度体现出不同的艺术形式。其笔墨淋漓间，如飞流直下，奔腾千里，如渴马奔泉，势不可挡；总能看到和体会到笔墨的舞动与飞扬；他正是在汉字的“意美”、“音美”、“形美”、“用笔之妙”的共同作用下，达到了出神入化的境地。《鉴赏•收藏》杂志以《生命的旋律》为题的点评说：“他的每一幅作品仿佛是一串串跳动着的音符在唱歌，不仅充满了韵律感，还让人体会到一种视觉和心灵的共鸣。把在生活中挖掘的自然界的美反映在作品里，妙趣盎然，极具生命力和欣赏性”。最近获悉，黄吴怀先生于2011年秋月应人民大会堂管理局邀请，现场挥毫，作品被收藏于人民大会堂，并颁发证书，可见黄吴怀先生书法造诣之影响。

　　Lu Xun once said that Chinese characters have "beauty of meaning," "beauty in shape," under the role of the wonderful pen, Under the function of the composition, it will form a kind of impact on people's hearts of artistic tension, Mr. Huang Wuhuai is good at using pen and ink thickness, strength to reflect different art forms. The pen and ink dripping, such as flying straight down, Pentium thousands of miles, like a thirsty horse Ben Quan, unstoppable; You can always see and feel the dancing and flying of pen and ink; It is in the Chinese characters "meaning beauty," "sound beauty", "beauty of shape" and "the beauty of pen" under the joint effect, to achieve a brilliant state. Comments on Appreciation · Collection Magazine under the title Melody of Life says: “Each of his works seems to be a string of beating notes singing, It is not only full of rhythm, but also allows the human body to have a visual and spiritual resonance. Reflect the beauty of the natural world in the works, full of fun, vitality and appreciation” 。 It was recently learned that Mr. Huang Wuhuai was invited by the Administration Bureau of the Great Hall of The People in the autumn of 2011. His works were collected in the Hall and a certificate was issued. This shows the influence of his calligraphy attainments.

　　勤奋笃实的黄吴怀老先生是一位感情真挚的艺术家，一生把书法看作生命的流衍，他的作品流露出人对生活的感悟，对美的探求。他的书法是那种让人一眼难忘的，在结字构成方面，他给从事书法者许多启迪；在对书法精神的传承延续上，他的很多方面都值得后辈书法者去借鉴。以无比强大的创造力赋予汉字书写以无穷强大的生命力，让人愿意在那充满生机的字里行间中去冥想，去徜徉，去翱翔。黄吴怀先生能够用朴素温和的情感抒写豪迈大度的时代精神，使其焕发出一种悠扬的、优雅的生机勃勃的气息，以一种温润明净的方式直击人的心灵，从而撞击一种妙不可言的心灵回音，已成为了我们这个时代所喜闻乐见的一种经典。

　　Mr. Huang Wuhuai is a sincere artist. His works show people's understanding of life and the search for beauty. His calligraphy is the kind of unforgettable, in the knot word composition, he gives engaged in calligraphy a lot of inspiration; In the inheritance and continuation of calligraphy spirit, his many aspects are worthy of the younger generation of calligraphers to learn from. Endow the writing of Chinese characters with infinite vitality with incomparably powerful creativity. People are willing to meditate, wander and soar between the lines full of vitality. Mr. Huang Wuhuai can use simple and gentle emotion to express the spirit of the times, so that it radiates a melodious, elegant and vibrant atmosphere, It has become a classic of our times to strike at the heart of people in a warm and clear way, thus hitting a wonderful echo of the heart.

　　中国书法讲究书写内容要与书家的气韵相合，凝结于笔端，流溢于笔下，使作品从字体到书写内容形成一个有机的整体。书家在创作时诉诸于情感，赋予诗词活灵活现的感官享受，犹如图画一般跃然纸上，正所谓“书到极时书似画，画到臻处画如书”；古人讲“书画同源”也是这个道理。即能看到书家贯彻古人的历史轨迹，也能审视出书家博大的胸怀。细数历来书法大家，都以独特而又鲜明的书风、字法、个性建树书坛，从这点来讲，黄吴怀先生可谓当之无愧。

　　Chinese calligraphy pays attention to the content of writing to be consistent with the calligrapher's spirit, condensed in the end of the pen, flowing in pen, so that the works form an organic whole from font to writing content. The calligrapher appeals to emotion in creation, endow poetry with vivid sensual enjoyment, just like a picture on the paper, is the so-called "book to the extreme book like painting, painting to the point of painting like a book"; The ancients said "painting and calligraphy homologous" is also this truth. That is to see the calligraphers carry out the ancient historical track, but also to examine the broad mind. In the history of calligraphy, everyone has a unique and distinct style of writing, character, personality to build the world, from this point of view, Mr. Huang Wuhuai is well deserved.