【与党同心与国同行】中国书画领航巅峰人物——潘新明

国际教育信息网 2021-01-14

潘新明,1942年生,祖籍陕西华阴,居北京。原中国外交官。现国家一线德艺双馨艺术大师、中国网络资讯台艺术顾问;中华国礼艺术中心、艺术家润格网名誉主席;英国、瑞典皇家艺术院高级艺术顾问、法兰西皇家美术学院中国籍艺术院士、首席艺术家;2019年新时代中国文艺发展工作委员会、文艺领袖人物评选委员会等授予“新时代文艺领袖人物”。2020年中国文化和旅游部授予“跨时代艺术楷模大师”荣誉称号;中国互联网联盟发布,环球人物网等多家媒体播报:“2020年度全球各界顶级人物之最——潘新明”。

Pan Xinming, born in 1942, was born in Huayin, Shaanxi Province and lives in Beijing. Former Chinese diplomat. Now he is a national first-line master of German and Art and an art consultant of China Network Information Station; Honorary Chairman of China National Ceremony Art Center and artist Runge. com; Senior art consultant of the Royal Academy of Fine Arts in Britain and Sweden, Chinese art academician and chief artist of the Royal Academy of Fine Arts in France; In 2019, the Committee for the Development of Chinese Literature and Art in the New Era and the Committee for the Selection of Literary Leaders were awarded "Literary Leaders in the New Era". In 2020, the Ministry of Culture and Tourism of China awarded the honorary title of "Master of Inter-era Art Model"; Released by China Internet Alliance, global person Net and other media broadcast: "Pan Xinming, the world's top figures from all walks of life in 2020".

潘新明作品

在五十多年笔墨生涯中,他继承祖国传统书法艺术基础上,博采古今之秀,融入新时代、新思想、新内容等元素、独具匠心,摸索出了一条自己书法、诗词艺术的创作思维、方法、路径;书法作品出神入化,具有云烟满纸的图像美,实力更高于声望;作品荣获多次中国文化艺术类终身成就最高奖、文化传承创新贡献奖,世界艺术终身成就奖,中国首届文学艺术牡丹奖、华表奖、文人奖、至尊奖,第三届世界文化奖金奖等。多家权威媒体或文化艺术机构播报,被评为十大殿堂级艺术家、十大国宝级艺术家、人民艺术家等,多幅书法艺术品被选编入《国学经典》、《大师风范》、《世界艺术巨匠》八人集长卷等。出版有《周恩来手迹大字典》《潘新明韵语选集》等。

In his 50-year pen and ink career, he inherited the traditional calligraphy art of the motherland, adopted ancient and modern shows, integrated new era, new ideas, new content and other elements, and was unique, and explored a creative thinking, method and path of his own calligraphy and poetry art; Calligraphy works are superb, with the beauty of images full of clouds and smoke, and their strength is higher than their prestige; His works have won many awards for the highest lifetime achievement in Chinese culture and art, the contribution award for cultural inheritance and innovation, the lifetime achievement award for world art, the first Peony Award for Chinese Literature and Art, the Chinese Watch Award, the Scholar Award, the Supreme Award, and the Third World Culture Award. Broadcast by many authoritative media or cultural and artistic institutions, they have been rated as Top Ten Hall-level Artists, Top Ten National Treasure-level Artists, People's Artists, etc., and many calligraphy works have been selected and compiled into the Long Volume of Eight-person Collection of Chinese Classics, Master Style and World Art Masters, etc. He has published Zhou Enlai's Handwriting Dictionary and Pan Xinming's Anthology of Rhymes.

潘新明作品

以诗益书修文人放手写心传晋韵 —记著名书法家潘新明

People who use poetry to improve their writing let go of their heart to pass on Jin Yun-a record of Pan Xinming, a famous calligrapher

书法自古是文人修养的有机组成部分,文人把书法看成小技,把文章视为千古之事。潘新明先生的文化修养就是以诗意书的传统路径,他在书法家的身份背后,还是一位能赋诗书的真文人,写格律诗平仄严谨,对仗工整,格调清新高雅,读来怡心神。优秀的诗歌文化修养,让他的书法便注入了文人书法的书卷气韵,放手写心,如追闲云,也似春来杏花开,写得一手飞动传神的行草上品!

Calligraphy has been an integral part of literati's cultivation since ancient times. Scholars regard calligraphy as a small skill and articles as an eternal thing. Mr. Pan Xinming's cultural accomplishment is based on the traditional path of poetic books. Behind his calligrapher's identity, he is still a true scholar who can write poetry books. His metrical poems are flat and rigorous, and his style is fresh and elegant. Excellent poetic culture has infused his calligraphy with the charm of literati calligraphy, and let go of his heart writing, such as chasing clouds, but also like blooming apricot flowers in spring, and he can write the best grass in one hand!

他的书法深师两晋文人的笔法要妙。赵子昂得到王羲之的兰亭序定武拓本,被笔法所迷恋,六十日心追手临,觉悟书圣笔法精髓,于是感叹用笔千古不易。此不易之法,他虽然没有直接说明,但是晋人书法侧入中行的洒脱印象,正是笔法不易的核心。赵子昂的书法因为获得了这种笔法表现的机密,所以也成为一代书法大师,流传千古。

His calligraphy is better than that of literati in Jin Dynasty. Zhao Ziang got Wang Xizhi's handiwork of Lanting Preface, and was infatuated with his brushwork. He realized the essence of calligrapher's brushwork and lamented that it was not easy to use a pen for ages. Although he didn't explain this hard way directly, the free and easy impression of Jin people's calligraphy entering the Bank of China is the core of the hard way of writing. Zhao Ziang's calligraphy has become a generation of calligraphy masters, which has been passed down through the ages, because it has obtained the secret of this brushwork expression.

潘新明作品

潘新明先生的书法作品也神得笔法要妙,把侧入中行的洒脱意向表达的惟妙惟肖。侧入时迅捷动逸,蜻蜓掠平湖,微起凌波。触达纸面快速转入中锋,不偏不倚,写成中流击楫力透纸背。在体验这种笔法的觉悟中,他的书法也写两晋书法的洒脱蕴藉,使转自如,提摁跳动,结体典雅,又注重墨色气韵的变化,所以书法的线条美与韵律节奏共赢,打造出行风踏歌的审美印象。不呆板,多变幻,以变为笔墨的生机盎然,果然是天下无物非草书的深刻实践。

Mr. Pan Xinming's calligraphy works also have wonderful brushwork, and express the free and easy intention of entering the Bank of China vividly. Swift and easy when the side enters, dragonflies sweep the Pinghu Lake, and the Ling Bo rises slightly. Touching the paper, quickly turning to the center, being impartial, and writing it as a middle stream, penetrating the paper back. In the consciousness of experiencing this kind of brushwork, his calligraphy also writes about the free and easy implication of calligraphy in Jin Dynasty, which makes it turn from "Ru", push and beat, make it elegant, and pay attention to the change of ink and color. Therefore, the beauty of lines and rhythm of calligraphy win-win, creating an aesthetic impression of walking and dancing. Not inflexible, but changeable, in order to become full of vitality, it is a profound practice that there is nothing in the world that is not cursive.

潘新明作品

看一幅他的书法其意必与诗意相通,写书法的境界就是妙得一首诗的快意抒怀,从中盈溢出来的文化气韵扑面而来,悦目动心。他以传承传统书法文化精髓为担当,绝对不写粗头烂服的江湖体,也不写展览体的造作,而是专致信札体的天工自然,放手写心,不激不厉,伸缩得体,文化纯品。可以八面出锋写峥嵘,也可以藏逆回锋写内敛,以劲蓄势,以势显奇,在体貌俊美的格调里,也不缺少磅礴大写情怀的浩荡。主体风格以行云流水一般的书法特色,去表现伯远帖的文化气息。心和笔合在一起,我手写我心,正是书法文化弘扬的高能境界,所以他的翰墨法不欺人,功不欺世,艺术价值决定收藏品位,成为收藏界的主流佳品。

Looking at a picture of his calligraphy, its meaning must be interlinked with poetry, and the realm of writing calligraphy is to express the joy of a poem, and the cultural charm overflowing from it is pleasing to the eye and tempted. Taking the heritage of the essence of traditional calligraphy culture as his responsibility, he never wrote the rough-cut Jianghu style or the exhibition style. Instead, he devoted himself to the nature of the letter style, letting go of his heart, not being aggressive, being flexible and decent, and being pure in culture. You can write the glory with the front on eight sides, or you can write the inside restraint with the back, gain momentum with strength, and show the strangeness with potential. In the handsome style, there is no shortage of majestic capital feelings. The main style is characterized by flowing calligraphy, which shows the cultural atmosphere of Bo Yuantie. Heart and pen are combined, and I write my heart by hand, which is the high-energy realm promoted by calligraphy culture. Therefore, his calligraphy method does not deceive people, and his merits do not deceive the world. The artistic value determines the collection taste, and it has become the mainstream of the collection industry.

潘新明作品

以诗益书修文人,放手写心传晋韵。两晋书法是高峰,潘新明先生师法二王执着功成鲜明。所以他的书法以二王书法的文人品格构建核心,形成了书法的正宗文化传承的时代内核,用笔墨当随时代的担当,让书法融进时代的思想和风尚,把本意简单的线条美,通过以白计黑的塑造,写成虚实照见的空间印象美妙,以美致韵,飞动丰神。传承与创新双轮驱动,让他攀上书法文化的顶峰,一览众山小,功矗凌云霄!

People who use poetry to improve their writing, let go of their mind to write Jin Yun. Calligraphy in the Jin Dynasty is the peak, and Mr. Pan Xinming's persistence in learning from the two kings is remarkable. Therefore, his calligraphy takes the literati character of Erwang's calligraphy as its core, forming the core of the era of calligraphy's authentic cultural inheritance, taking pen and ink as its responsibility with the times, allowing calligraphy to blend into the thoughts and fashion of the times, and writing the original simple beauty of lines into a beautiful impression of the space illuminated by the actual situation through the shaping of white and black. Inheriting and innovating the two-wheel drive makes him climb to the peak of calligraphy culture, the other mountains all appear dwarfs under the sky., and make contributions to the clouds!

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