Pan Xinming, born in 1942, was born in Huayin, Shaanxi Province and lives in Beijing. Former Chinese diplomat. Now he is a national first-line master of German and Art and an art consultant of China Network Information Station; Honorary Chairman of China National Ceremony Art Center and artist Runge. com; Senior art consultant of the Royal Academy of Fine Arts in Britain and Sweden, Chinese art academician and chief artist of the Royal Academy of Fine Arts in France; In 2019, the Committee for the Development of Chinese Literature and Art in the New Era and the Committee for the Selection of Literary Leaders were awarded "Literary Leaders in the New Era". In 2020, the Ministry of Culture and Tourism of China awarded the honorary title of "Master of Inter-era Art Model"; Released by China Internet Alliance, global person Net and other media broadcast: "Pan Xinming, the world's top figures from all walks of life in 2020".
In his 50-year pen and ink career, he inherited the traditional calligraphy art of the motherland, adopted ancient and modern shows, integrated new era, new ideas, new content and other elements, and was unique, and explored a creative thinking, method and path of his own calligraphy and poetry art; Calligraphy works are superb, with the beauty of images full of clouds and smoke, and their strength is higher than their prestige; His works have won many awards for the highest lifetime achievement in Chinese culture and art, the contribution award for cultural inheritance and innovation, the lifetime achievement award for world art, the first Peony Award for Chinese Literature and Art, the Chinese Watch Award, the Scholar Award, the Supreme Award, and the Third World Culture Award. Broadcast by many authoritative media or cultural and artistic institutions, they have been rated as Top Ten Hall-level Artists, Top Ten National Treasure-level Artists, People's Artists, etc., and many calligraphy works have been selected and compiled into the Long Volume of Eight-person Collection of Chinese Classics, Master Style and World Art Masters, etc. He has published Zhou Enlai's Handwriting Dictionary and Pan Xinming's Anthology of Rhymes.
以诗益书修文人 放手写心传晋韵 —记著名书法家潘新明
People who use poetry to improve their writing let go of their heart to pass on Jin Yun-a record of Pan Xinming, a famous calligrapher
Calligraphy has been an integral part of literati's cultivation since ancient times. Scholars regard calligraphy as a small skill and articles as an eternal thing. Mr. Pan Xinming's cultural accomplishment is based on the traditional path of poetic books. Behind his calligrapher's identity, he is still a true scholar who can write poetry books. His metrical poems are flat and rigorous, and his style is fresh and elegant. Excellent poetic culture has infused his calligraphy with the charm of literati calligraphy, and let go of his heart writing, such as chasing clouds, but also like blooming apricot flowers in spring, and he can write the best grass in one hand!
His calligraphy is better than that of literati in Jin Dynasty. Zhao Ziang got Wang Xizhi's handiwork of Lanting Preface, and was infatuated with his brushwork. He realized the essence of calligrapher's brushwork and lamented that it was not easy to use a pen for ages. Although he didn't explain this hard way directly, the free and easy impression of Jin people's calligraphy entering the Bank of China is the core of the hard way of writing. Zhao Ziang's calligraphy has become a generation of calligraphy masters, which has been passed down through the ages, because it has obtained the secret of this brushwork expression.
Mr. Pan Xinming's calligraphy works also have wonderful brushwork, and express the free and easy intention of entering the Bank of China vividly. Swift and easy when the side enters, dragonflies sweep the Pinghu Lake, and the Ling Bo rises slightly. Touching the paper, quickly turning to the center, being impartial, and writing it as a middle stream, penetrating the paper back. In the consciousness of experiencing this kind of brushwork, his calligraphy also writes about the free and easy implication of calligraphy in Jin Dynasty, which makes it turn from "Ru", push and beat, make it elegant, and pay attention to the change of ink and color. Therefore, the beauty of lines and rhythm of calligraphy win-win, creating an aesthetic impression of walking and dancing. Not inflexible, but changeable, in order to become full of vitality, it is a profound practice that there is nothing in the world that is not cursive.
Looking at a picture of his calligraphy, its meaning must be interlinked with poetry, and the realm of writing calligraphy is to express the joy of a poem, and the cultural charm overflowing from it is pleasing to the eye and tempted. Taking the heritage of the essence of traditional calligraphy culture as his responsibility, he never wrote the rough-cut Jianghu style or the exhibition style. Instead, he devoted himself to the nature of the letter style, letting go of his heart, not being aggressive, being flexible and decent, and being pure in culture. You can write the glory with the front on eight sides, or you can write the inside restraint with the back, gain momentum with strength, and show the strangeness with potential. In the handsome style, there is no shortage of majestic capital feelings. The main style is characterized by flowing calligraphy, which shows the cultural atmosphere of Bo Yuantie. Heart and pen are combined, and I write my heart by hand, which is the high-energy realm promoted by calligraphy culture. Therefore, his calligraphy method does not deceive people, and his merits do not deceive the world. The artistic value determines the collection taste, and it has become the mainstream of the collection industry.
People who use poetry to improve their writing, let go of their mind to write Jin Yun. Calligraphy in the Jin Dynasty is the peak, and Mr. Pan Xinming's persistence in learning from the two kings is remarkable. Therefore, his calligraphy takes the literati character of Erwang's calligraphy as its core, forming the core of the era of calligraphy's authentic cultural inheritance, taking pen and ink as its responsibility with the times, allowing calligraphy to blend into the thoughts and fashion of the times, and writing the original simple beauty of lines into a beautiful impression of the space illuminated by the actual situation through the shaping of white and black. Inheriting and innovating the two-wheel drive makes him climb to the peak of calligraphy culture, the other mountains all appear dwarfs under the sky., and make contributions to the clouds!
Famous painting and calligraphy critic Tianyuan
December 29, 2019